Glebe-based botanical artist and teacher Angela Lober reads for relaxation and to fuel her artistic endeavours. In May 2017, her work featured in Botanica, an exhibition of botanical art held in Sydney’s Royal Botanic Gardens. Her striking portrait of a Gymea lily (Doryanthes excelsa, pictured), with its unusual black background, was a highlight of the
Looking for love, happiness, success, comfort and friendship?—then Jane Austen’s Tips for Success has you covered. Colleen Sattler has gathered in one volume a raft of wonderful quotes about life from Austen’s 19th century novels. The tips are timeless, she says in this Q&A, and showcase Austen’s sharp wit and reassuring wisdom. The quotes drip from
It’s hard to think of an Australian writer who puts the cat among the pigeons quite like Helen Garner. From Monkey Grip (1977) to The First Stone (1995), to The Spare Room (2008) and later works, her fiction and non-fiction titles have landed with a bang. They’ve been the kind of works that get people
I couldn’t be happier that Michelle Cahill’s mesmerising short story collection Letter to Pessoa has just won a NSW Premier’s Literary Award. I’d been feeling it deserved more attention, so I’m glad it’s been recognised. It’s a seriously good book, so let’s go on a date with it now to find out why … What
Erskineville-based designer and scenic artist Emelia Simcox reads fiction and non-fiction for pleasure. She also devours art and reference books to inspire colour, form and texture in her work. In 2016, she painted three shows for the Sydney Theatre Company—Hamlet Prince of Skidmark (‘really funny and theatrical’), A Flea in Her Ear (‘over the top
Louis Nowra’s new book Woolloomooloo: A Biography explores the history, people and streets of one of Sydney’s most notorious and eclectic suburbs. Nowra, who lives on the boundary between Woolloomooloo and Kings Cross, wanted to capture the spirit and ‘Chaucerian richness’ of his suburb before it evanesced. Woolloomooloo has always been a dumping ground for
Literary discursiveness in novels can be tedious. So can surprising plot turns in narratives that have been ticking along quite nicely without them. Such antics and glissandos in Sean Rabin’s debut novel, however, are welcome and enjoyable: A smart and compelling game that leads to a surreal ending that (by the skin of its teeth)
Ice floes and frostbite in The North Water made it the perfect novel to read during Sydney’s February heat wave, which saw the mercury hitting the high 30s for days at a stretch. Set partly on a Yorkshire whaling vessel in the late 1850s, the novel also transported me from the irritating Trump mania and
Australian Indigenous poet Ali Cobby Eckerman has won a Windham-Campbell prize—a US literary prize worth US$165,000 (A$215,000). This is wonderful news. Eckerman is a marvelous poet and her most recent poetry collection Inside my Mother is a tender and moving work: largely a love song to the mother that she was separated from for 30 years
On the opening page of The Boy Behind the Curtain Tim Winton makes a confession. At 13 he would stand behind a Terylene curtain in a fibro house in Campbell Road, Albany, and aim his father’s .22 Lithgow at passers-by. A lad in his book The Turning does the same thing. Neither of them shoots.
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